S
tanding outside Zaphod’s on Saturday night at 7:30pm, I take a look around York St. I have some time as Nicolas Johansen isn’t scheduled to open the night’s music until 8pm. With the sky graying and the night’s darkness creeping in, I see that the stable of exotic dancers next door is of high caliber. Every few minutes a large breasted beauty leaves an expensive car, crosses the sidewalk quickly, and enters the palace of flesh that is Bare Fax located immediately to my right. The door to Zaphod’s opens and a worker comes out. He places the ad poster for Nicolas on a sandwich board on the sidewalk. Occasionally a walker stops to see the ad then continues along York St. It seems that the musical line up and $8 cover charge are going to make this night a quiet one.

Nicolas Johansen

Nicolas comes out of the building and I introduce myself. As we talk he tells me that A Perfect Day has not shown up yet. The headliners have pulled a disappearing act and will probably force the show to start later. As showing two bands will take less time than three, it seems Nic might have to expand his show and Uncut will probably close out the night.

The arms on the Parliament’s clock tower, easily viewable to the west of Zaphod’s front steps, circle toward 9pm. I hear Icubus playing on the speaker above my head indicating that the music inside is coming from the DJ control booth and not from Nicolas’ guitar. Even though the show hasn’t started, I decide to enter and see what is on tap at the bar. I order a Sleeman’s Cream Ale and I wait for the show to start.

At 9:15 Nic begins his set. Starting off at the keyboards, Nic commences with “Numb”, a song off his debut self-titled album. In fact, his set consists of ten songs and 6 were from the self-titled CD. The other four were covers that included “Get It On (Bang a Gong)” by T. Rex and “Champagne Supernova” by Oasis.

Nicolas Johansen

Moving back and forth from keyboards to acoustic guitar, this Ottawa artist shows that his multi-instrumentalist tag is not just hype. He plays both instruments (as well as others) with aplomb but it is at the keyboards where he shines. Able to move his hands across the keys with experience that belies his youthful appearance, Nic has the potential to make a name for himself outside Ottawa.

Most of Nic’s songs are of the love and relationship variety. Whether singing about heartbreak or infatuation, Nic’s boyish good looks only accentuate his pop/rock stylings. His singing and music remind you of the output of bands like Coldplay, Travis or Badly Drawn Boy with a bit of Elton John thrown in.


Toronto Band: Uncut

Although their set was short (around half an hour) and they hit the road soon after leaving the stage, the band made quite an impression on the small crowd including myself. As I love my city, and Toronto seems to monopolize the indie press, I will only grudgingly give these guys praise. But praise I will give them. Their sound harkens back to the days of Joy Division and New Order (as all the press I read has said!). There most known song “Understanding the New Violence” brought to mind The Stone Roses’ opener off their self-titled debut album of 1989, “I Wanna Be Adored”, if not necessarily in the subject matter, definitely in the melody.

After the band played their first song, a small crowd moved onto the dance floor to take a closer look. The dark and brooding sound made the audience curious and the dance floor turned into a corral for zombie-like onlookers. They stayed there barely moving for Uncut’s full set until the trance was broken with the band’s abrupt arrest in playing and Ian’s hurried statement “Thanks a lot, buy our CD.”

Toronto Band: Uncut

With both Nicolas Johansen and Uncut giving good performances it made the bar’s patrons forget somewhat that A Perfect Day never did show up for their set. I hope the band had car trouble or some other catastrophe (other than injury or death) that stopped them from honouring that commitment because no one did get any discount off the ticket price. I’ll give them the benefit of the doubt but it definitely wasn’t a professional maneuver by the band to say the very least.


ARTICLE BY: SCOTT D. BROWN

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