Standing
outside Zaphod’s on Saturday night at 7:30pm, I take
a look around York St. I have some time as Nicolas Johansen
isn’t scheduled to open the night’s music until
8pm. With the sky graying and the night’s darkness
creeping in, I see that the stable of exotic dancers next
door is of high caliber. Every few minutes a large breasted
beauty leaves an expensive car, crosses the sidewalk quickly,
and enters the palace of flesh that is Bare Fax located
immediately to my right. The door to Zaphod’s opens
and a worker comes out. He places the ad poster for Nicolas
on a sandwich board on the sidewalk. Occasionally a walker
stops to see the ad then continues along York St. It seems
that the musical line up and $8 cover charge are going to
make this night a quiet one.

Nicolas comes out of the building and I introduce myself.
As we talk he tells me that A Perfect Day has not shown
up yet. The headliners have pulled a disappearing act
and will probably force the show to start later. As showing
two bands will take less time than three, it seems Nic
might have to expand his show and Uncut will probably
close out the night.
The arms on the Parliament’s
clock tower, easily viewable to the west of Zaphod’s
front steps, circle toward 9pm. I hear Icubus playing
on the speaker above my head indicating that the music
inside is coming from the DJ control booth and not from
Nicolas’ guitar. Even though the show hasn’t
started, I decide to enter and see what is on tap at the
bar. I order a Sleeman’s Cream Ale and I wait for
the show to start.
At 9:15
Nic begins his set. Starting off at the keyboards, Nic
commences with “Numb”, a song off his debut
self-titled album. In fact, his set consists of ten songs
and 6 were from the self-titled CD. The other four were
covers that included “Get It On (Bang a Gong)”
by T. Rex and “Champagne Supernova” by Oasis.

Moving back and forth from keyboards to acoustic guitar,
this Ottawa artist shows that his multi-instrumentalist
tag is not just hype. He plays both instruments (as well
as others) with aplomb but it is at the keyboards where
he shines. Able to move his hands across the keys with
experience that belies his youthful appearance, Nic has
the potential to make a name for himself outside Ottawa.
Most of
Nic’s songs are of the love and relationship variety.
Whether singing about heartbreak or infatuation, Nic’s
boyish good looks only accentuate his pop/rock stylings.
His singing and music remind you of the output of bands
like Coldplay, Travis or Badly Drawn Boy with a bit of
Elton John thrown in.
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Although their set was short (around half an hour) and they
hit the road soon after leaving the stage, the band made
quite an impression on the small crowd including myself.
As I love my city, and Toronto seems to monopolize the indie
press, I will only grudgingly give these guys praise. But
praise I will give them. Their sound harkens back to the
days of Joy Division and New Order (as all the press I read
has said!). There most known song “Understanding the
New Violence” brought to mind The Stone Roses’
opener off their self-titled debut album of 1989, “I
Wanna Be Adored”, if not necessarily in the subject
matter, definitely in the melody.
After
the band played their first song, a small crowd moved onto
the dance floor to take a closer look. The dark and brooding
sound made the audience curious and the dance floor turned
into a corral for zombie-like onlookers. They stayed there
barely moving for Uncut’s full set until the trance
was broken with the band’s abrupt arrest in playing
and Ian’s hurried statement “Thanks a lot, buy
our CD.”

With both Nicolas Johansen and Uncut
giving good performances it made the bar’s patrons
forget somewhat that A Perfect Day never did show up for
their set. I hope the band had car trouble or some other
catastrophe (other than injury or death) that stopped them
from honouring that commitment because no one did get any
discount off the ticket price. I’ll give them the
benefit of the doubt but it definitely wasn’t a professional
maneuver by the band to say the very least.
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ARTICLE BY: SCOTT
D. BROWN
scott@fullspectrumottawa.com |
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