CD review
01.
Adrenaline
02.
Mellow
03.
Just So You Know
04.
Shine
05.
Numb
06.
Goodbye Yesterday
07.
Crush Me
08.
Defying Gravity
09.
Better Days
10.
Life Is Live
11.
Lift Me Up
 
Release: Nicolas Johansen
Group: Nicolas Johansen
Release Date: 2003
Label: Mad Cow Music
Rating: 4/5
 

The second kind, the good kind, is the artistic type. The person or persons are qualified musicians and songwriters. They play their own music and write their own songs. The image they create may be all show but you see the work and talent behind the music. The record companies sign these artists and let them create. Billy Joel, Nelly Furtado, or Alicia Keys would be some examples of this type of pop artist.

Nicolas Johansen is the second type of pop artist. On this album (his first) he played all the instruments except drums, He wrote all the songs (with Leslie Howe, who also produces) and arranged all the songs. His style of music follows bands like Coldplay, Travis or Oasis with a bit of Elton John thrown in.

Nic is proficient on acoustic guitar and piano (keyboards). On this album he shows he can also shine on mandolin, organ, and bass guitar.

With tight melodies and song structure, this 44 minute masterpiece will urge you follow along with Nic’s contagious voice. Most of the songs relate to relationships with the opposite sex. Although this has become rote in pop music, Nic’s take on the subject will occasionally transcend this limitation and create a unique and beautiful statement. “Life is Live” tells of a break-up because you can’t take back the stupid things you say when you are not thinking. The foot-in-mouth disease is universal but Nic compares it to a live show that can’t be rewound when mistakes are made. “Just So You Know” is an adept summary of a man’s difficulty in being faithful. Where it is different than most song of this type is that the man breaks up with the woman because he can’t stop and he doesn’t want to continue hurting her.

What is interesting about the two songs mentioned above is that they aren’t even the ones that would be considered for a single release. “Adrenaline,” “Mellow,” “Shine,” and “Numb” are just begging for airplay on a pop or rock station. All 11 songs have the repeated chorus line that pop is famous for which makes them easy to sing along to and after listening to the CD a few times you can’t help but learn all the words (the CD jacket includes all the song lyrics).

If there are faults to this CD, one would be its similarity to the Coldplay Parachutes album. Play “Yellow” off Parachutes and then put on Nic’s CD and you can see the similarities (with “Mellow” or “Shine”). But as imitation is the greatest form of flattery and Nic is only 21 years old, he can’t be faulted too much for looking for inspiration in Brit-pop which has influenced artists since the mid nineties.

One other detraction of this album, and it is a chronic disease of the genre, is the inevitable boredom that sets in after you listen to the album about 20 times. Because pop albums follow certain rules (repeated chorus, tight song structure and simple melody), they bore after a short period of time. Pop grabs you initial attention with the repeated lyrics. They are easily learned and you enjoy singing along (that is its main hook). The melody is catchy because it is simple. But over time you hear the repetitiveness and as with anything rote (eating the same meal everyday or watching the same movie over and over) you move on to something new and different.

You can find this CD at all the CD warehouse locations and on the net at Nic’s homepage: www.nicolasjohansen.com

Scott D. Brown: So Nic, were you born in Canada?
Nicolas: No, I wasn’t.
SB: Where were your born?
Nicolas: I was born in St. Petersburg, Russia.
SB: So you came here when you were a little kid?
Nicolas:  No, I actually moved here when I was 15, because my father found a job here and I thought that for the music, I wanted to make albums for a living, it would be a good opportunity for me if I moved here.
SB: What year was that?
Nicolas:  1999.
Nicolas:  21 in two days; on Thursday.
SB: When did you start to play music?
Nicolas:  I started when I was a little boy.
SB: Piano?
Nicolas:  Piano was my first instrument. I was about six years old when I started. I took lessons in theory and history and continued here with the Royal Conservatory of Music.
SB: Royal Conservatory of Music?
Nicolas:  Yeah. With the piano, I studied for 12 years and went up to grade 10.
SB: Well, I noticed when you were playing keyboards at the show we went to (at Zaphod’s on the July 31st, 2004) that you were quite talented on the keys. It was great!
Nicolas: Oh, Thank you.
SB: When did you pick up the acoustic guitar?
Nicolas: Oh that was later. That was when I was about 11 or 12 when I started playing.
SB: Playing guitar was more fun and the piano was more serious?
Nicolas: Exactly! I wasn’t doing a lot of writing on piano because I was training classically and I had to practice a lot of classical music. Playing guitar was a chance for me to try out different things and play Rock ‘n’ Roll.
SB: What other instruments do you play?
Nicolas: I used to play a bit of bass, when I picked up a guitar, I started playing some bass. Then I stopped playing for a long time, and when I was doing the record, I decided I might as well do the bass tracks.
SB: Yes, when I read the liner notes to the CD (his self-titled debut) it mentions that you played all the instruments except drums?
Nicolas: Yeah that’s right. The only instrument I didn’t play was the drums.
SB: So whom did you get to play the drums?
Nicolas: This guy we know, his name is Matt Laug.
SB: Is he from California?
Nicolas: He’s not originally from California, but he lived in L.A. for a long time.
SB: Tell me a little bit about your producer. What is his name?
Nicolas: His name is Leslie Howe and originally he is from Canada but he lives in L.A. right now. He has his own studio. It’s called The Park!
SB: In L.A.?
Nicolas: In L.A., in Studio City. It’s part of L.A. and basically we did the album there
SB: How did he end up meeting you? He came to Canada and caught a show?
Nicolas: Yeah, he comes here once in a while to visit friends and family here in Ottawa. We have a bunch of mutual friends. I was doing music here for a few years, back then. I was in a band and our mutual friend Jack came out to Zaphod’s, I didn’t meet him at that time, but my manager said, “Hey, this guy wants to meet up.” So he set up a meeting at the Distortion Studios.
SB: Distortion Studios?
Nicolas: Distortion Studios.
SB: Is that here?
Nicolas: Yeah, that’s here. Do you know that studio? It’s a good studio. So I played some of my songs for him; some on the guitar and some on piano. We thought, “Hey, let’s try doing a record and see what happens.”.
SB: So the mutual friend owns Distortion Studios?
Nicolas:  It’s our friend Jay, (Jason Dahl) he used to live here and do work at Distortion as an engineer and producer but now he lives in L.A. too.
SB: How long did it take for you to record the album?
Nicolas: It was on and off. Sometimes I spent a month there and a couple of months here writing. On and off for about two years?
SB: Two years?
Nicolas: A long time! I can’t believe that it took so long though.
SB: Well, if you are travelling from here to there and there to here…
Nicolas: Yeah, it takes a day to get there, nine hours, by plane. I don’t really like flying.
SB: No?
Nicolas: No.
SB: Get a bus?
Nicolas: No I don’t. The first time, flying the first time, it gets really boring; especially when you’re flying by yourself.
Nicolas: One time flying, there was a storm. I got really scared.
SB: Turbulence?
Nicolas: No, when we were landing in L.A. The plane was going, I could see the lights moving up and down. The guy in the seat beside me was covering his face. He began to scream. There was quite a thump when we landed. I felt it in my back.
SB: You could have been Buddy Holly before becoming Buddy Holly! Plane crashes, so many musicians have died in plane crashes; either that or a drug overdose. So you have to stop taking planes and don’t use drugs!
Nicolas: I’ll try to stay away, I don’t do drugs anyway.
SB: What are you doing now? You are writing new songs?
Nicolas: I’ve been writing new material full time for the last month. You know writing can be weird. It is totally luck. Some days you will have a good day. You’ll come up with something great. But other days, like the past few days, weren’t good. It’s stuff that I will keep on my CDs at home. But it is material I wouldn’t show you. It’s nothing to be proud of.
SB: I like the songs on the last album. Actually, when we spoke previously, you mentioned that their were 19 songs for the album.
Nicolas: Yeah, there are more songs.
SB: You cut six or seven of them?
Nicolas: Something like that. I can’t say for sure as some were left unfinished. Say, drums were missing on a song and we decided not to keep going because we weren’t proud enough of the song to continue it.
SB: If someone wants to buy your CD, how do they do it?
Nicolas: They can go do it through the website (www.nicolasjohansen.com). It explains where to buy it. But, for the people in Ottawa, CD Warehouse has my CD. Also, CD Baby, mainly for people in the States.
SB: CD Baby?
Nicolas:  cdbaby.com, on my site there is a link.
SB: Obviously they can pick them up at your shows right?
Nicolas:  Yes, I got some more copies in.
SB: To finish, do you have anything to say to your fans?
Nicolas: Stay off the drugs (he smiles). No skip it.
SB: and buy your CD!
Nicolas: Buy my record. So I can make money and then I can make a second record and third record.
SB: Thanks Nic.
Nicolas: Thanks.
ARTICLE BY: SCOTT D. BROWN
scott@fullspectrumottawa.com
OFFICIAL WEBSITE
click here to visit site
 

 


Copyright © 2004 fullspectrumottawa.com
All rights reserved.