On the vanguard of this push is a local independent rock band that has paid its dues, has the calluses and sweat to show for it, and after 5 years and over 60 concerts under their belt are soon to release their second CD. Keep Yourself Good Company, since 1999, has been out there playing the shows, wowing their fans, and making Ottawa an enjoyable place to go out and listen to the independent music that made Vancouver and Toronto so vibrant.

Formed out of high school (Earl of March in Kanata to be exact) by Steve Bragg (guitar, vocals), Chris Wilson (drums) and Conor Wild (bass), Juniper (the original name of the band) waited for their break to happen. Along the way they picked up keyboardist Dave Sharp and vocalist/guitarist Jon Chandler and their break turned out to be a stint in a local institution being experimented with.

It seems the band entered and placed second at a local music competition. Hosted by the Elbow Room, located at 356 Elgin St., a Battle of the Bands took place. The band’s second place finish garnered them a stay at Tara (The Audio Recording Academy) where they recorded their independent CD. The students at Tara used the sessions to gain experience in the use of studios and sound recording.

Using the CD as an introduction to the local clubs, the band gained entrance into Ottawa’s bar scene. Two thousand and one was a pivotal year for the band, playing at clubs like Zaphod Beeblebrox, the band came to the attention of Dark Skippy Records owner John Dooher. By this time Dave had left and moved to England. As the keyboards were not an intricate part in the overall sound of the band, Dave realized that a career in boat building was preferable to music. Steve took over playing the instrument in between his guitar work.

Keep Yourself Good Company

Realizing that signing with a label opened up more serious possibilities, the band decided to change their name. As Juniper sounded too common (other bands from the States and Ireland have used the name) Steve started brainstorming. Trying to come up with a name that would be unique, Steve remembered a play he and Conor had written for a high school drama class. Keep Yourself Good Company, the name of the play, became the band’s new moniker.

Through a year of work and perseverance, and with stellar work from co-producer Jason Fee, the band released their first CD. On June 20th 2002, Procedures for Underground (see review further on) became the band’s first major release on an independent label. Presently, it has been almost two years since Procedures…so I decided I would catch up with the band, and after some rehashing of their history, see what the band has been working on lately:

Ottawa Music Review
 
Keep Yourself Good Company - Procedures for Underground
 
01.
Slogan for Hypocrites
02.
Corporate Portrait
03.
The Dashboard Rules
04.
Don't Forget
05.
This Crowded Room
06.
March Break Song
07.
Jars for Paper Men
08.
Know No Star
09.
Walking on the Ceiling
10.
ag2
11.
Minwassin
 
Release: Procedures for Underground
Group: Keep Yourself Good Company
Release Date: June 20th 2002
Label: Dark Skippy Records
Rating: 3.5/5
 
Procedures for Underground, the band’s first label release, has an affinity with Radiohead and Coldplay. Mostly a slow melodic CD with experimental movements and bursts of enthusiasm, this 2002 Dark Skippy Records release has mostly received good reviews from the major and minor press, and it won’t be much different here.

Lead by the vocals of Jon Chandler, whose voice can at times seem strained when reaching the longer and higher pitches, the album tells mostly of melancholy circumstances through the eyes of modern youth. The atmosphere with the acoustic guitar and electric bass can be downright depressing. Steve Bragg (electric and acoustic guitar and keyboards) adds his vocals on a few tracks and seems more rounded than Jon.

Highlights on the album include “Know No Star” which could be added as a track to Coldplay’s Parachutes album and not suffer from the direct comparison. Others include “Don’t Forget” where you will find Jon at top vocal form and “March Break Song” a song about growing pains.

The CD is enhanced where you will are welcome to explore the history of the band, see some pictures, video and artwork, and read the lyrics to all the songs when you slip the disc into the CD ROM of your computer.

Overall, the album is enjoyable and can be listened to over time without becoming bored. The tempo changes and little additions of sound here and there keep you interested but the stretches you hear in Jon’s voice can be at times hard to get used to.

ARTICLE BY: SCOTT D. BROWN
scott@fullspectrumottawa.com
OFFICIAL WEBSITE
click here to visit site
 
 
 
Scott D. Brown: First, I would like to go over some of the history of the band. Now, from what I understand, you guys were together since high school; except Aaron right? So why did you get together then, how did you guys get into music?
Steve: We first started playing in grade 8. We were just doing it for a talent show. We were messing around with a Green Day song, Chris, Connor, and I. Afterward, we started practicing in Chris’s basement because we didn’t have anything else to do.
SB: You guys were playing instruments before then?
Steve: Chris was already playing drums and Conor bass; then after I started playing guitar.
Chris:  Oh ok, Then we hit high school, still just the three of us under the name Juniper.
SB: You guys were all in the same high school?
Chris:  Yep.
SB: What school was that?
Chris:  Earl of March.
SB: In Kanata?
Chris:  Yeah, in Kanata. Then we picked up Jon in Grade 12. We continued for 2-3 years as Juniper later playing the clubs.
SB: And Dave left at that time?
Chris:  Yeah, Dave left just after the first year university, which was probably 2001. Jon joined in ‘98, ’99. We started playing clubs and started recording then finishing Procedures for Underground. We played a lot of shows supporting the album. We then began work on the new album when we decided we could use a little ‘oomph’ live so Aaron joined in the summer of 2003. [Aaron Libbey, guitar]
SB: What about the self-titled album, which was an independent release? Did you have to pay for it all yourself?
Chris:  It was actually done through Tara, The Audio Recording Academy. [http://www.ravenstreet.com/tara/]
Jon: Once I joined the band we participated in Elbow Room’s Battle of the Bands and we placed second which won us the opportunity to record with Tara.
SB: They did it free for you?
Jon: Yes, it was a whole bunch of students and we were basically like the lab rat. We sat there and we got a free disc out of it and they gained the knowledge out of it.
SB: What was the name of it, it was self-titled?
Jon: It was self-titled, as Juniper. And then we did Procedures…on Dark Skippy Records.
SB: Are you going to still be with Skippy for your new album?
Jon: Yes we will. I played with Aaron back before Juniper. We decided we needed a little more so we got Aaron to play with us.
SB: [Turning to Aaron] so how long have you been with the band?
Aaron: Since the summer of 2003.
SB: You play the guitar also?
Aaron: Yep.
SB: So then you use two lead guitars?
Jon: [Jon interrupts] Yeah sometimes or I will use the acoustic.
SB: Aaron plays electric guitar and so does Steve. Who plays lead?
Steve: We don’t really have a lead.
Jon: Steve and Aaron kind of trade back and forth depending on who is singing at the time; all three of us sing as well.
Steve: We are hardly ever playing at the same time. I play keyboards also on a Juno 106 [he states loudly with pride]
SB: I guess that’s good?
Steve: Oh it’s so sweet it’s better than the JX3P!
Conor: We are turning in a Devo cover band. [Conor says jokingly]
SB: Devo…Devo… “Whip it.”
Steve: Yeah… [Everyone laughs]
SB: Why switch your name from Juniper to Keep Yourself Good Company?
Steve: Well, for practical reasons for one, there is a band in the States called Juniper and also one in Ireland. It sounds generic and we didn’t like how common it sounded. Nobody will call themselves Keep Yourself Good Company except for us.
SB: What does it mean? I read that it means that since you will always be with yourself you should be comfortable with yourself.
Steve: That’s exactly what it means.
SB: When I first seen the name I thought it meant masturbation or something? [Scott smiles]
[A roomful of laughter ensues!]
Steve: We get a lot of jokes like that. I never even thought of that when we first came up with it.
Chris:  So how did you come up with it Steve? [Chris asks knowingly]
Steve: It’s from Conor and me. In the final year of high school Conor and I wrote a play for drama class. That’s the name of the play.
SB: So you didn’t like Juniper as much as Keep Yourself Good Company?
Chris:  Yeah, KYGC it’s a pretty sweet acronym as well.
Steve: It’s got some other sexual things going on there…
Conor: We’re all into sexual innuendo. [Conor laughs]
Steve: The thing is, if people aren’t going to spend 10 seconds saying our name over again, then fuck‘em.
SB: When you finished second in the Elbow Room battle, who was first and do you think you played better than them?
Steve: Oh we totally played better than them! They just had more friends there I think. What was it Hetero?
Jon: Heterodox. Also at the time we were all under age and they had their singer was sick. So they pulled the whole thing like “He’s sick and he’s singing just for you guys!” One other thing is a bar wouldn’t want four or five under age kids winning their Battle of the Bands. It would kind of look bad on them. I think that’s another reason.
SB: So you guys were all still in high school?
Jon: Yes, Aaron was actually doing our sound for that show.
Aaron: As a bystander definitely I think you guys sounded better than Heterodox.
SB: Out of all the places you played, here and in Kingston, which one is like your home? Which one is the best bar?
Jon: I think to call our home? Personally, I would say Zaphod’s because that is where we got our big kick. When we first started playing we were playing there once a month for two years. Right now though with our stage set up Barrymore’s is very nice to us and is one of the only clubs that can accommodate us very easily. With 5 people, Steve has two keyboards, with guitars; we all have big rigs really…
SB: So Zaphod’s has become too small in other words?
Jon: Exactly, and Chris’s drum set gets bigger and bigger by the week. [Everyone laughs] But I would say out of all the places Zaphod’s is the most comfortable within a non-physical sort of way; in Kingston it would be Clark Hall.
SB: The band began playing in Kingston because some of you guys attend Queens?
Jon: Chris and Jon are the only ones who actually live in Ottawa.
SB: So Jessica Padykula, writer for Excaliber of York University reviewed you guys and called you a clone of Radiohead. What do you say to that?
Steve: I don’t think we sound at all like Radiohead now really. Also, Radiohead has gone through a lot of different periods.
SB: How long ago was that article written?
Steve: After Procedures… came out, wasn’t it in 2002? I can name a lot of things that influence us but I don’t see why people would say that we sound like Radiohead.
SB: Every article I read on your website mentions Radiohead.
Steve: Oh yeah it’s always saying Radiohead.
Jon: But honestly if you think about it, every new band that comes out anywhere right now has comparisons to Radiohead, so that’s cool.
Aaron: I think anyone who sounds different at all they automatically get termed Radiohead. If you’re not Nickelback, or whatever, then you’re Radiohead because you’re just something else that’s alternative.
Conor: Also, Radiohead is one of our biggest influences. We all like Radiohead. I don’t mind being compared to them really; no big deal.
SB: So you mention on your website that you have a few songs together for the next album which is coming out in May. Is that still correct?
Steve: We have a solid date now. It’s July 17th.
SB: Do you have the name of the album yet?
Steve: No, we have ideas for artwork but we still don’t even have all the songs recorded yet.
SB: You have a gig at Barrymore’s tomorrow night are you going to play some of the songs that are going to be on the new album.
Jon: The majority of the set is new stuff.
Conor: Some of the songs on the new CD have already been heard by most people. We’ve been playing some of them already for years they just didn’t make it on Procedures...
SB: You also mentioned that you’re getting together for a video, how did that go?
Chris:  Hasn’t happened yet. Right now treatments are being written by Anthony Seck who does this for a living, and…
SB: Treatments?
Chris:  Yes, it’s just the whole storyboard for the video etc. That is being done as we speak and I think the plan is to shoot in April. But, I don’t know totally when. April was the month we talked about but we’ll have to see how busy we are. We’re in preparation for the disc [video] coming out and having it done couple of months before the disc [CD] is released and the goal is to have the disc done by May and release it July 17th . We will then tour it. The video is going to come along with that whole package and it’s still in the works right now.
SB: So all of you guys are in University?
Jon: Jon’s not.
SB: Jon was?
Jon: Jon didn’t like college. But we don’t need to write about that. [Jon smiles]
SB: What are you taking in University, Conor?
Conor: I’m in my last year of Electrical Engineering.
Steve: I’m in my last year of Electrical Engineering.
Aaron: I’m in my second year of Political Science.
Chris:  I’m in my last year of Civil Engineering.
SB: So all you guys want to be engineers?
Steve: It’s not that I really want to be an engineer. I just like electronics so much. For example, the past couple of nights, I’ve been staying up trying to rewire my amp to make it work for the show. I finally got it done last night. I really don’t want to go to school for music because I know a lot of music students who don’t really care much for music.
SB: Do you still keep in touch with Dave?
Steve: Oh yeah definitely. Actually, I just talked to him. Dave is one of my best friends; I just talked to him on the phone a couple of days ago.
SB: He was on keyboards right? He left the band because of university?
Steve: Dave was at Carleton with us and he wasn’t too happy about it, he wanted to become a boat builder so he went away to England to study.
Chris:  I don’t think he was digging it at the time when he was in the band. At that point there weren’t the keyboard parts there all the time and that’s all he did. It was kind of a drag for him. It wasn’t all that exciting. He did not like it that much. We don’t hold it against him. He still comes out to the studio and gets drunk with us and spins Steve around on the top of a car; he is a good friend of all of ours still.
SB: So how many gigs have you guys done all together?
Jon: Since I joined the band?
Steve: Yeah, let’s do it since you joined the band.
Jon: At one point I was counting, but I have no idea now.
Steve: Well we got past… well I thought it was 60 wasn’t it?
Chris:  Yeah, I think it’s about 60.
SB: In those 60, you screwed up somewhere? Give me some of your major screw-ups.
Conor: One time we played at Babylon and Jon, Steve, and I had a little too much to drink; but Chris didn’t. I remember there was one point where Steve started talking about Worf from Star Trek and people started booing. Then, Jon spit on the ground and on his back and I think it just descended into chaos from there. Then, Chris got mad and yelled at us on stage.
Steve: We had about an hour long argument after the show on stage.
Jon:‘Til everyone in the club is going “Get out!”
Conor: Yeah, everyone was saying “Are you going to leave soon?”
Aaron: Was that the show that you guys played Kylie Minogue?
SB: What do you mean; played music of hers?
Conor: Yeah, we covered “Can't Get You out of My Head” or whatever.
Steve: Before the Flaming Lips did!
Chris:  All the bad shows involved a little too much drinking on someone’s part usually.
Jon: We always make a point to not have too much now. We always allow each other to have one or two before we go on and that’s it; instead of taking like 14…. [Everyone laughs]
SB: Musicians usually, I heard the Flaming Lips mentioned, and they’re one of my favorite bands, usually musicians like other musician’s music right? So if you were to name just one album that is your favorite album of all time, what would it be? Personally, for me it’s The Wall.
Aaron: Of all time [he says with trepidation]?
SB: I bought The Wall four times already. First, I bought it on vinyl, then on tape, and then on CD, it was stolen so I got it again on CD. I mean no matter where I go I will always have that album around.
Conor: Fantastic Planet by Failure
Jon: Probably Figure 8 by Elliot Smith
Aaron: I can’t do what’s my favourite of all time but at right now I think my favourite is Breath from Another by Esthero.
Chris:  It might get all screwed up. I go through these phases; like it used to be Dave Matthews. That’s one I could always go back to because I just love the tunes. But then I go through these big phases where I love Tool…
Jon: One album!
Chris: No?
Jon: No, that’s what he wants; one album.
Chris:  Oh! One album, okay we’ll go with by Dave Matthews’ Crash
Steve: Never, Never, Land by UNKLE
SB: Is there anything else you guys want to say to your fans or anyone. It’s going to be on our website so say anything you want.
Chris:  Buy our new record.
Jon: Pay attention to local music because tomorrow it could be worldwide music; and be nice to people.
Steve: Stop watching so much fucking TV.
Conor: Don’t eat KFC anymore.
Aaron: Keep yourself good company. [Everyone laughs]
SB: A great way to end I think.
 

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